Curated by Gretel Taylor, Yarra Ranges Regional Museum, Lilydale
September 8 - October 14, 2018
Force of Nature is an exhibition exploring a range of artists responses to the natural environment through various media such video, installation and performance. Artists include Marnie Badham and Tammy Wong Hulbert, Peter Fraser, Myfanwy Hunter, Gabrielle New, Jill Orr, Gulsen Ozer, Laki Sideris, Melinda Smith, Gretel Taylor and Tony Yap.
For the exhibition I have collaborated with Marnie Badham on Five Weeks in Spring: An emotional map of Lilydale, a mapping of local people's emotional responses to place and environment, making reference to the work of legendary new genre public artist Suzanne Lacy's 1977 work Three Weeks in May. Responses from the public will be collected over the five weeks of the exhibition period to gain a sense of the emotional attachments locals have developed to place.
University of Granada, Granada, Spain
September 6-8, 2018
It was an amazing experience to attend the Inclusive Museums conference at the University of Granada, Granada, Spain. The conference was attended by delegates from all over the world, both from industry and academia. It was great to have the shared interest and discussions on strategies towards working in a more inclusive framework in the development of exhibitions and how to engage audiences. I presented my research work on 'Curating Inclusive Cities' with three other interesting colleagues who were also concerned about how we create urban environments which gives marginalised communities a voice in society through exhibition and curatorial practices. Such an enjoyable few days with good company, new friends and an amazing part of Spain to explore!
An exhibition presented by The Substation, Newport
March 22 - April 21, 2018
An exhibition of contemporary art by Victorian-Asian artists navigating the hyphenated space between cultures
This exhibition brings together the works of artists of Asian-Australian backgrounds based in Victoria. The exhibition explores the hyphenated space between cultures and how this informs the perspectives of artists who identify with several cultural outlooks.
Image: Still...what is left, Nikki Lam, video, 2017, from The Substation website.
Wed 28 March, 2018, 5-7pm, Storey Hall
Working with the St Andrews, Victoria community, Dec 2017 - March 2018
Anonymous Sojourners in the Australian Bush is a socially engaged public art project with the St Andrews community of Melbourne and Nillumbik Shire as part of their Living in the Landscape Public Arts Incubator. The project looks back in time, investigating the unknown history of anonymous Chinese miners from the 1850s. The project focuses on how contemporary art can reimagine and reconnect with a forgotten migrant community history and is developed in collaboration with the St Andrews Men's Shed. The project has now been decommissioned. Two of the lanterns remain inside at the Wadambuk Community Centre and four will be become part of the St Andrews Primary School community.
A collaborative public art project with Vicseg Social Health Group, April 2016
Research paper published January 2018
Images at the top:
1. Flavours of Glenroy, (in collaboration with artist Rowena Booth), artwork, public art intervention, Glenroy, Victoria, 2013-15
2. Lumens Festival: Curating the Ancient City, co-curated with Shane Hulbert, Clare Leporati & Geoff Hogg, Suzhou, China, 2012
3. Public Sleepers, (in collaboration with artist Shao Xiong Chia), artwork, public art project, Sile, Turkey, 2010.